2009 Sunstone

I have been writing full time for the past few months and I have noticed that the last thing I want to do after 4 - 8 hours of writing is more writing. So I have neglected blogging, and email, and other things as well. But there is so much going on now to write about. Ah, so little time. Anyway The Constant Process is screening at Sunstone in Salt Lake City next Saturday 8/15 at 2:15 in the afternoon in the Canyons room in the Sheration Salt Lake City Hotel.

I am joined by two wonderful respondents, Margaret Young of BYU and one of the producers of Nobody Knows, a documentary about the experiences of black Latter Day Saints. AND Mary Ellen Robertson who is the director of Symposium for Sunstone. Both women are great thinkers and had very interesting things to say about the film at other screenings, so I really wanted to have their perspectives regarding the film for this screening because the theme of the symposium is: women's contributions to church and culture. I think the film provides a very interesting context to discuss such issues in Mormon culture. Obviously Susan Russell is empowered in a way that is impossible for a Mormon woman, but still Mormon women do craft theology, Mormon women do have powerful experiences of revelation, Mormon women are concerned about and working to encourage a better understanding of what inclusion requires. So I think this is going to be a good discussion.

Prop. 8 upheld by Ca Supreme Court

As many of us expected the CA Supreme Court upheld Prpp 8 while also allowing the gay couples that were married last year to remain married. Of course this is less of an ending than it is one moment in a longer narrative, so while disappointed I remain hopeful, and committed to the project of interfaith dialogue, and of working towards understanding in the Mormon community and the broader community. Below are some thoughts towards a progressive Mormon response to the decision:

1) As a Mormon I believe the emotional and spiritual growth, the life experience, the nurturing and acceptance we experience as members of strong, loving families is joyous, necessary and an expression of God's hope for all of us. Yet we live in a society that values some families more than others. I reject the idea that families with same-sex partners are any less vital, any less loving, any less able to nurture their members, any less deserving of recognition or protection than heterosexual families.

2) As a Mormon I am moved by the recognition that both the Mormon and gay communities have experienced the agony of misunderstanding, marginalization, violence, and persecution. Communities that share the pain of common histories and status as "outsiders" have a unique opportunity to come together; to empathize with each other, and to heal one another; to work together for the advancement of inclusive communities, and for the defeat of prejudice for the benefit of us all.

3) As a Mormon, I am lead by the essential Christian idea that the great commandment consists of a full commitment to God and to loving my neighbor as myself. This is not merely a feel-good truism; it establishes the very foundation of Christian ethics that call us into relationship with God and those who are different from ourselves. The way we listen to, engage with, and treat those who are radically different from us is a true test of our commitment to Christ. It's not enough that we be "tolerant" while living in judgment of and isolation from one another. Christian ethics insists that we allow our lives to be intertwined with the lives of those around us, even those who are radically different.

4) As a Mormon I see ethical dialogue as a way forward in difficult times. This is dialogue that originates from our commitment to community ethics and from a desire for mutual understanding. This is dialogue that seeks to include, to listen, and to guide us in doing our best for those around us. The Mormon community does not benefit when people respond to us based on stereotypes and fear. Nor does it benefit us to respond to other communities in such a way. Fear is never a legitimate basis of action. Dialogue is a tool for putting aside fear and building ethical and democratic communities.

In the short term I know there is a great deal of work to do. As one person I commit myself to dialogue, to community building and to resisting those voices that encourage us to fear one another. The lives and relationships of gay people embody the same dignity, love, respect, understanding, nurturing, and spiritual potential as those of straight people. I acknowledge this and hope that others will too.

The Mirror Turns 35

I put film and aesthetics in the title of this blog but I have yet to write on aesthetics and my posts on film are limited to my own efforts. So here is the perfect excuse to write about Aesthetics and film.

Andri Tarkovsky's renound work The Mirror is 35 years old in 2009.

The Mirror has held a critical place in my imagination since first seeing the image of the woman on the fence, the wind moving through the trees and other images. The film is an example, maybe the best example there is, of poetic narrative cinema. It sets the bar high for those who want to work in that way.

The film does have something of a narrative arc,it presents characters and events but the organization and presentation is based on the emotional experiences and memories of the characters, rather than on traditional story structure. In its best moments it comes as close as any art form can to presenting individual consciousness and memory as such.

Granted this type of film leads to great confusion for viewers who come to it with traditional expectations about how a story is to be presented to an audience. In this film its difficult to tell who the characters are and even what some of the relationships are between them. The film moves fluidly between different times, sometimes announcing this movement, other times not. What is interesting is that on the level of plot many viewers would conclude that the film is a total mess. Be that as it may, on the level of emotional structure, and refinement of the image The Mirror is an amazing work. It's completely enthralling, its a beautiful slow lament mulling life lived. Its also amazingly liberating to experience, anythings seems possible, and greatness is made to look easy.

Here is part of the opening sequence from you tube.

Long Beach Film Festival

Had some fun this weekend at the Qfilm festival. Susan and I went down for the screening and Q&A. We were joined by composer Douglas Romayne, who did the music for The constant Process. As it was mother's day attendance was a bit light, but the audience was very supportive. The Art theater in Long Beach is a wonderful venue and the organizers are putting on a serious festival. The Q&A was lead by a wonderful moderator who did a great job fostering discussion.


The Constant Process was screened with the feature length documentary For My Wife, a film that tells some heart breaking stories of Gay and Lesbian couples facing discrimination in critical situations such as when one partner lay dying in the ER and the hospital staff refuses to let the other partner into the room. Or after the partner has died and the funeral director refuses to speak with the living partner, or refuses to turn over the ashes. One story that was really remarkable was of a woman who's partner died of cancer and was cremated. The women had done everything right, legally speaking, the funeral director acknowledged as much but decided he would rather disregard the legality of the situation, rather than turn over the urn to a member of a same sex couple.

These are the sort of stories that give strength to the idea that communities with common histories of persecution and misunderstanding have a unique opportunity to empathize with and help one another. Its a given that most Mormons are against gay marriage. But this shouldn't mean that Mormons participate in a sort of de facto support of the kind of cruelty and discrimination that the film For My Wife chronicles, by working against gay marriage and being largely silent on domestic partnerships and other legal protections that can help same sex couples in these kind of situations.

Does our cultural emphasis on a certain type of family mean that we don't see or are not aware of families headed by single parents, interracial families, poor families, families with a father in prison, broken families, or same sex families?

And the Winner is . . .

The Constant Process Wins Best Documentary prize at Smogdance 2009!

This weekend was the 11th annual Pomona Valley Film Festival, otherwise known as Smogdance '09.
Its a shorts film festival that includes a broad range of work from narrative, to experimental, to documentary. It was held at the newly restored Fox theater which opened 87 years ago and is everything you would hope for in a theater from that era.

I attended the festival on Friday night and was impressed. First, the Fox theater is wonderful. As a filmmaker, you want to have your work screened in a place like that. The projection was really impressive, they got a new projector and the results were excellent, my film really looked the way it is supposed to look, with great color and crisp clear blacks and whites. What's more impressive is that due to some trouble setting up, they could only project DVDs. I never thought a projected DVD could look that good. They only thing they need to work on for next year is the audio. The Fox is a BIG room with a lot of reverb, which made the films hard to hear.

The audience was was also very good. I suspect they had 300+ in attendance with over a thousand total attendance over three days. It was a diverse audience, I was impressed to see good numbers of people under 25 and over 50 at the same event. This really made it a "something for everyone" event for both the audience and the filmmakers. After screening events were held at the Da Center for the Arts and that too was a good venue. A cool place to hang out and talk with the audience and other filmmakers surrounded by an impressive collection of work by local artists.

Of course the best part of the festival was winning the best documentary award. I'd like to express my gratitude to the festival, the judges, and all the work that the cast and crew put into the film. Its wonderful to be acknowledged like that! This was the film's 5th festival and its second award. It also won a Director's Choice Silver Medal for Excellence, at the Park City Film Music Festival in January.

The Constant Process News

Traveling with the family makes it difficult to be consistent with posts so here is a quick note about upcoming screenings of The Constant Process:

April 24: The Somgdance Film Festival in Pomona California. Information can be found here:
www.smogdance.com

Also on the weekend of april 24 the film is playing at the West Chester Film Festival in West Chester PA. Information can be found here: www.westchesterfilmfestival.com

Then on May 10th the film is screening at the Qfilm festival in Long Beach California, and I believe that both Susan and I will be in attendance. Information can be found here: http://www.centerlb.org/programs/lbqfestival.html

also I got word today of an interesting event down in Orange County California, its a Human rights week for high school students and I have been asked to screen and attend. Which is exactly the kind of invitation that I love to get.

In other news, the film also won a silver medal at the Park City Music and Film festival. So congrats to my composer Doug Romayne who's music really did bring something special to the film.

Liberal, intellectual, progressive Mormons

I've been thinking about what the above terms mean and how they are understood in the Mormon community. As we well know the basic concept of a liberal or intellectual is understood with suspicion in some parts of the Mormon community. Both terms being understood as signaling an individual's distance from and opposition to institutionally defined orthodoxy and the social / political norms of the community (or a portion of the community). These labels are often closely linked to two things:

1) Academic work done on church history that reveals aspects of the historical narrative of Mormonism that have been omitted from official institutional historical narratives. Or that offers different perspectives on Church history. Additionally, such work calls into question (not always intentionally) the motives and accuracy of the institutional historical narrative of Mormonism.

2) The labels are often applied to individual members who go through a sort of crisis of faith when they come into contact with the details of the more challenging aspects of church history. These interactions appear to be defined by specific challenges to the individual's understanding of Church history which then leads them to question other aspects of the institutional narrative of Mormon history and theology.

There are other things that these labels might name but from my reading of Mormon publications such as Dialogue, Material produced by the church, by reading Mormon blogs, and listening to things such as the staying LDS podcasts. There is no doubt that, for what ever reasons, there is a strong link in the Mormon imagination between questioning official historical narratives and the idea of being liberal or intellectual, both understood as pejorative terms. Be that as it may, it should be obvious that neither of these forms of historical challenge have an inherent relation to an individual being an intellectual or liberal. In fact I think the opposite may be true.

As a convert something that stands out to me is that the broadening and sometimes questioning of historical narratives seems to come from people who are lifetime members of the church and who actually strive to be traditional in their beliefs and understanding of Church history. Their crisis of faith seem to arises when credible historical sources articulate historical narratives that are dissonant with the understanding of the church that was developed through church attendance, official church materials, as well as family and community teachings. So these individuals come to feel misled and even betrayed by the institutional church for creating an incomplete or even white washed history. These feelings arise not because the individual in question is an intellectual or a liberal, they arise because the individual is deeply committed to traditional orthodox views of the Church. These individuals are clearly not liberal, and they may or may not be intellectual. They are traditionalists striving to understand how new and challenging information fits into their orthodoxy. If they were liberals or intellectuals to begin with they would have had access to a host of tools that would allow them to encounter new historical information without it becoming a crisis.

As for the historians who study church history they may or may not be liberal or intellectual. Mostly they are academics, (which is not synonymous with being an intellectual) but one would hope that their primary identity is as historians. This does not mean that historians have universal notions of how to do history, or what is defined as critically rigorous when it comes to methodology, or the ability of historians to draw conclusions. It just means they are committed to do the best work they can with the training, tools, resources that they have access to.

All this is to say that despite a cultural mislabeling of personal crisis of faith or challenging historical work as liberal or intellectual. These terms needs to be reclaimed by Mormons who self describe themselves as such, so that a more accurate and positive description can be fostered. In short we should be defined by what we believe rather than by what we don't.

Finally, lets get rid of some of the other basics incorrect assumptions.

1- Being liberal or intellectual is not defined by a dichotomy between orthodoxy / heterodoxy; in which the liberal is defined as holding unjustified and incorrect beliefs that can not be reconciled with accurate and true beliefs found only within a certain notion of orthodoxy.

2- Being liberal or intellectual is not defined by a dichotomy between faith / doubt; where in the liberal is a defined by their doubt in contrast to the robust faith of more conservative or mainstream Mormons.

3- Being liberal or intellectual does not mean that one poses a threat to the faith or beliefs of others. Quite the opposite is true. Liberal theology traditionally provides avenues of exploring many different ways to hold and express our religious commitments, it probes scripture and uses a variety of tools to deepen understanding and provide greater appreciation of history and theology.

4- liberal theology is not a set of ideological values applied to theology, it is more a set of methods, and positive values, approaches to and tools for reading and interpreting scripture, theology, and history that in essence are there to strengthen the community, deepen our understanding of and commitment to living out our religion.

So this has been fairly limited in scope, in another post I will go into the positive work and values of liberal theology and why liberal Mormonism should be thought of as a necessity rather than something to be suspicious of.